Wednesday 6 September

Living the scientist life

12.40 – 13.35 hours

Prof. Dr. Kitty Nijmeije
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Wednesday 6 September

Captain Fantastic

21.00 – 23.00 hrs

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Thursday 7 September

PechaKucha Eindhoven vol. 26

20.20 – 22.30 hrs

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Mon 11, Tue 12, Wed 13
September

Logan

20.00 - 22.15 hrs

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Mon 18, Tue 19, Wed 20
September

Get out

20.00 – 21.45 hrs

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Wednesday 20 September

Drones: democratizing the sky

12.40 – 13.35 hrs

Tautvydas Juskauskas M.P
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Wednesday 20 September

Become a drone pilot

14.00 – 16.00 hrs

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Wednesday 20 September

De Kleine Prijs van Nederland

20.00 hrs.

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Monday 25 September

Zero Days

19.30 – 22.00 hrs

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Tuesday 26 September

Well Fed

19.30 – 21.00 hrs

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Wednesday 4 October

Schizophrenia does not exist

12.40 – 13.35 hours

Prof. dr. Jim van Os
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Mon 9, Tue 10, Wed 11
October

Dunkirk

20.00 – 22.00 hrs

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Thursday 12 October

State of the ART

12.40 – 13.35 hrs

Prof.dr. Janneke Wesseli
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Mon 16, Tue 17, Wed 18
October

I am not your negro

19.30 – 21.30 hrs

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Mon 23, Tue 24, Wed 25
October

La región salvaje

20.00 – 21.40 hrs

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Wednesday 25 October

The Age of the Algorithm

12.40 – 13.35 hrs

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Mon 30, Tue 31 October,
Wed 1 Nov

Bram Fischer

20.00 – 22.00 hrs

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Mon 6, Tue 7, Wed 8
November

Wonder Woman

20.00 - 22.15 hrs

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Mon 16, Tue 17, Wed 18 October
19.30 – 21.30 hrs

I am not your negro

Location: Filmhuis De Zwarte Doos

Raoul Peck, VS 2017
language: English – subtitles: dutch

 

In 1979, James Baldwin wrote a letter to his literary agent describing his next project, ‘Remember This House’: a radical narration about race in America, through the lives and assassinations of three of his friends: Martin Luther King Jr., Medgar Evers and Malcolm X.

Raoul Peck envisions the book James Baldwin never finished, using only the writers’ original words.

Read more on nytimes.com

The NYTimes:
Whatever you think about the past and future of what used to be called ‘race relations’ this movie will make you think again, and may even change your mind.

The Atlantic:
However much a documentary about American life in the 1960s, I Am Not Your Negro also uses Baldwin’s insights to illuminate our own contemporary reality.

 

 

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